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Revenge of the Fanboys: George Lucas Officially Retires

alchemy

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Didn't see this posted anywhere yet

REVENGE OF THE FANBOYS

Lucas, who is 67 and still in possession of the full pompadour, told me his story of rejection on a cold December morning at Skywalker Ranch, in Marin County, Calif. He was sitting on a maroon sofa in the animation studios, wearing his standard billionaire-casual outfit — a flannel shirt with rolled-up sleeves, jeans and Nikes — while Padmé Amidala, the heroine of the “Star Wars” prequels, peeked down from two paintings arranged on either side of his head.

“I’m retiring,” Lucas said. “I’m moving away from the business, from the company, from all this kind of stuff.”

He was careful to leave himself an out clause for a fifth “Indiana Jones” film. But otherwise, “Red Tails” will be the last blockbuster Lucas makes. “Once this is finished, he’s done everything he’s ever wanted to do,” says Rick McCallum, who has been producing Lucas’s films for more than 20 years. “He will have completed his task as a man and a filmmaker.”

Lucas has decided to devote the rest of his life to what cineastes in the 1970s used to call personal films. They’ll be small in scope, esoteric in subject and screened mostly in art houses. They’ll be like the experimental movies Lucas made in the 1960s, around the time he was at U.S.C. film school, when he recorded clouds moving over the desert and made a movie based on an E. E. Cummings poem. During that period, Lucas assumed he would spend his career on the fringes. Then “Star Wars” happened — and though Lucas often mused about it, he never committed himself to the uncommercial world until now.

Since 1997, the year Lucas released his special editions of the original “Star Wars” movies in theaters, he has been attacked by the very fans who once embraced his heroic style. They didn’t like how Lucas changed the old movies; they didn’t like the prequels, which seemed wooden and juvenile; and the Star Wars merchandising blitz they once gorged on had begun to drive them nuts. (All six “Star Wars” films will return to theaters in 3-D, beginning in February.)

“I think there are a lot more important things in the world” than feuds with fanboys, Lucas says with a kind of weary diffidence. But then he gets serious, even a little wounded. Lucas explains that his first major features — “THX 1138” and “American Graffiti” — were forcibly re-edited by the studios. Those were wrenching experiences he has compared to someone keying your car (he loves cars) or chopping a finger off one of your children (he has three and loves them too). Afterward, Lucas set out to gain financial independence so the final cut would forever be his. “If the movie doesn’t work,” he vowed, “it’s going to be my fault.”

In the last decade and a half, Lucas has given “Star Wars” several “final” cuts. For the 1997 special edition, he made Greedo, a green-skinned alien, fire his blaster at Han Solo because Han’s murdering Greedo in cold blood — as the 1977 version had it — struck him as a violation of his own naïve style. For the new Blu-ray version of “Return of the Jedi,” Lucas added Darth Vader shouting, “Nooo!” as he seizes the evil emperor in the movie’s climactic scene. Lucas made the Ewoks blink. And so forth.

When fanboys wailed, Lucas did not just hear the scream of young Jedis; he heard something like the voice of the studio. The dumb, uncomprehending voice in his Socratic dialogues — a voice telling him how to make a blockbuster. “On the Internet, all those same guys that are complaining I made a change are completely changing the movie,” Lucas says, referring to fans who, like the dreaded studios, have done their own forcible re-edits. “I’m saying: ‘Fine. But my movie, with my name on it, that says I did it, needs to be the way I want it.’ ”

Lucas seized control of his movies from the studios only to discover that the fanboys could still give him script notes. “Why would I make any more,” Lucas says of the “Star Wars” movies, “when everybody yells at you all the time and says what a terrible person you are?”

http://www.nytimes.com/2012/01/22/m...-tails.html?pagewanted=1&_r=2&ref=global-home

And here's another take on it:

George Lucas “Retires”, Blames Fans For Crushing His Spirit To Make Another Star Wars Film

Apparently, all the bitching we do about the prequels and the changes George Lucas made to the original Star Wars films actually hits home. He’s retiring from blockbusters and vows to never make another Star Wars movie because fanboys have scared him off.

Speaking with the New York Times, Lucas claims that he’s retiring from blockbusters with the release of Red Tails to focus on small “personal” films.

“I’m retiring,” Lucas said. “I’m moving away from the business, from the company, from all this kind of stuff.”

Of course, he went on to say that he isn’t ruling out a 5th Indiana Jones movie if it ever does move forward. So the notion that he’s retiring may be a little premature.

As for Star Wars, Lucas commented on the widespread criticism he received over the years regarding the numerous revisions he made to the original trilogy—a wound that was re-opened recently with the release of the Blu-ray boxed set.

“On the Internet, all those same guys that are complaining I made a change are completely changing the movie,” Lucas says, referring to fans who, like the dreaded studios, have done their own forcible re-edits. “I’m saying: ‘Fine. But my movie, with my name on it, that says I did it, needs to be the way I want it.’ ”

As for the possibility of another Star Wars movie, Lucas had this to say:

“Why would I make any more when everybody yells at you all the time and says what a terrible person you are?”

Indeed, George has feelings under all of that hair and flannel. So, are you proud of this achievement or do you feel bad about it? Let us know in the comments or on Facebook/Twitter.

(via The New York Times)

http://nerdapproved.com/movies/geor...ng-his-spirit-to-make-another-star-wars-film/
 
I admit, it makes me feel good to know that the endless criticism was able to penetrate the many layers of yes-men surrounding him. There's just something satisfying about seeing someone who lived in a fog of self-satisfaction for so long finally snap out of it, at least a little.
 
I stopped taking Mr Lucas's work seriously the minute he tried to sell me the killer teddy bears in Return of the Jedi I only saw the first one of the prequels and it was enough . It was " What would Sci Fi cartoons look like in the future if everyone involved was on acid "
 
George Lucas is a tragic figure.

He was an artist with a vision who fought for his right to self-expression. Then, once he had gained the artistic freedom he sought, it turned out all those constraints he hated were the only things keeping movies watchable.

If I realized that my entire life had become a case-study in how hubris and unrestrained megalomania can destroy art, I'd probably retire too.
 
George Lucas is a tragic figure.

He was an artist with a vision who fought for his right to self-expression. Then, once he had gained the artistic freedom he sought, it turned out all those constraints he hated were the only things keeping movies watchable.

If I realized that my entire life had become a case-study in how hubris and unrestrained megalomania can destroy art, I'd probably retire too.

I am inclined to agree but would also offer that George Lucas was and always has been simply a "lucky" hack whose original 'accidental masterpiece' was built on the talented shoulders of others too numerous to name. Georgie (cutting room floor) Lucas simply was at the right place at the right time when the Studios decided his "space opera" (originally Han with his bosom pal Dog) wasnt worth keeping the merchandising rights for - an accidental windfall for George the Goiter. The rest is history, the more George made, the more he confused it with his own 'vision' a vision that brought you such joys as Jar Jar Binks, and who can forget the stirring dialog that George himself insisted his actors spew.

Anyone that does a little homework will notice that Georges presupposed genius is rooted in the Saturday Morning Theater Serials that little porky Georgie habitually sat through in the 1950s... from the dogfights to the scrolling type to the edit wipes... George lifted it all. ....oh... Darth Vader? Surly we have George to thank for Darth Vader? ...no... seems George couldn't' get his crappy space pirate and dog companion script looked at without a little outside help... a professional artist was brought in to render sales panels for Georgie's yarn... it was that artist's vision and creativity that gave us Darth Vader and the Star Wars we recognize... not George's wooden script. There are a thousand talented individuals that gave us the special wonder of the first Star Wars... George Lucas was the very least of these talents.

LOL ... my geek is showing.
 
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