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3-20 A Child's Sacrifice

Heh, took me long enough to get back to this. I guess you could say this next bit was strangely inspired by the clips of dreams i had about Zchi the living deity i had while i'd been sick this week. Well, onward then.


Ya Embaela had already spent eight days bouncing around in the rikshaw en route to the Cliffs of Hillsindry and Zchi. Eight days were spent trying her hardest to keep composure wearing the same magnanimous, itchy, now slighty odorous dress she had when she left. This was the way the people wanted the Living Doll to be presented to the Living Deity. Having stopped only to void herself in the past 3 days, she was sure her ribs and tailbone were bruised.
She looked up at her mother with no expression. She wanted to ask to sit in her lap to relieve the bumping about but all whispered pleas were met with a scornful glare. It was strange to see her mother like this and it almost brought tears to her eyes the first time her mother denied her through clamped lips. She'd NEVER denied Ya Embaela any affection or kindness before. She had to assume then that this event truly was of the utmost importance.
She looked around and saw the weariness the dragged on the faces of the men and women in the procession. It was a long journey for them. A group of women towards the back of the line walked with their wings folded in front of them to accomodate various bundled food and necessities as well as their babies. All these little ones were the newest children awaiting Zchi's blessing. How cumbersome it must be, she thought, to carry someone this far when she herself rode in a rikshaw. That realization made her feel grateful to the accomodations she was allowed.
Ya Embaela waited for the shuffling of rikshaw bearers to speak. The Procession was one made in near silence and even Ya Embaela herself was not allowed to disrupt that. As soon as the bearers set the poles down she leaned to her mother:
"Masu, can we walk for a little while and let the mothers carrying the babies ride in the rikshaw?"
"Why would you suggest such a thing? It would surely be shameful to see the people's living doll all mud bedraggled from walking." Her mother replied sternly and maybe a little too loudly. It caught the attention of the people around them who took this moment to catch their breaths.
"How shameful is it that we should ride in comfort while preaching to our people about the sacrifice of making such a journey on foot. Can we not too sacrifice for Zchi?" Ya Embaela pleaded, her eyes refusing to leave her mother's face. Suddenly Ya Embaela was caught around the waist by strong arms and lifted out of the rikshaw.
"You are a blessed thoughtful child. Zchi loves you for that. If that is what you truly want, then you shall have it." She was set down playfully. Damu Elessiant, her father, King of Lasaeri had likely waited the entire 8 days to talk to her. If no one else loved her, her father always would. He reached down to muss her hair but was greeted by a sharp rap from Masu Suryi, reminding him that such action would damage the intricate hairstyle in place.
It was an uncharacteristic and untraditional break in the silence that brought joy to most faces and a bit of headshaking from the oldtimers. Damu Elessiant stood on the rikshaw and announced him his thunderous voice that the women carrying children would take turns riding in the Living Dolls rikshaw with Masu Suryi and that Ya Embaela would walk at the head with her brother and king. There was considerable pride in his voice as he spoke, so much that he could scarcely hold back a smile.
The mothers were lined up behind the rikshaw and as each one found a place in line, they gave a short bow and whispered "Zchi thanks you, Living Doll". The mother at the head of the line was an older woman bearing twins. She walked with a considerable limp at at close up, she could see the tracks of tears that ran the course of her lined face.
Ya Embaela started her journey on foot holding her brother's hand. She had missed him so much and just his presence gave her a new feeling of vigor. She uttered a short prayer to Zchi to aid her on her journey and the procession began again.

Comments

Sometimes forcing yourself, even if it doesn't go the way you want it to, is exactly what it takes to get your creative juices flowing again.
 
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Maybe you just need the break? Speaking from a different kind of artistic experience, I used to play the guitar regularly when I was a teenager. I still have it, but these days it's just a hobby. I used to notice that occasionally I'd need to take a break from it and concentrate on other things. Then when I'd get an idea, I'd jot it down and try it out later. I'm not saying this approach will work for you, but it's something to think about.
 
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Many roads on this. Some people are just gifted with inspiration after inspiration, it seems, but often these endless fountains are cultivated with stimulation, practice, and having stricken on their "style". If they've developed a strong personal style, they can just envision how to draw or paint something in it and it'll just look right, but there's a lot of hidden mental work going on (and having had gone on long before).

Then there are those who wait for inspiration. I consider myself one of these, often, but I'm trying to break myself of it -- I think it's a bad habit, and the path of the lazy artist. I see that you're looking at other folks' stuff, building ideas -- good! Never diminish the importance of that stimulation and brainstorming, and its reality as part of the artist's work! Sketch, or write down the details you have in mind, but keep working on them. If there's one or two or a dozen you don't like later, toss 'em out! Even if you toss 'em all out and have to start a particular path from scratch, 1.) you've been working that creative part of your brain (rather than waiting for something to come to you), so it'll be more useful to you when you need it, and in the long run, more and better ideas will come to you because you'll have been priming it to do that, and 2.) like Edison and the lightbulb, for whatever it is you want to achieve with your next piece of art, you'll know a dozen different ways it doesn't work, and so you'll be able to find the ways in which it can work more easily.

Keep workin' babe!
 
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Saeria
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